Main laws

New Zealand Act

Films, Videos, and Publications Classification Act 1993

The Films, Videos, and Publications Classification Act 1993 is New Zealand’s main law for classifying films, videos, books and other...

In forceNew ZealandPlain-English guide9 practical checks

Plain-English explainers, not legal advice. Use the linked official source for section-level detail, and get advice for your situation.

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Quick read

  • The Films, Videos, and Publications Classification Act 1993 is New Zealand’s main law for classifying films, videos, books and other publications, and for controlling access to...
  • For businesses, this is a practical compliance law that can affect what you sell, hire, exhibit, display, advertise, host or stream.

Likely relevant if

  • Cinema operators and other businesses that publicly exhibit films
  • Retailers that sell or hire films, DVDs or similar media to the public
  • Bookshops, magazine retailers and other businesses that sell printed publications

Check first

  • Do not publicly supply or exhibit films without meeting the Act’s labelling requirements, unless an exemption applies.
  • Check whether a publication is restricted and comply with any age restriction or other classification outcome that applies.
  • Comply with any conditions imposed on the public display of restricted publications.

What this Act covers

This Act is New Zealand’s main classification law for films, videos and other publications. It sets the framework for labelling films, classifying publications, restricting access to some material, and dealing with objectionable content.

It also covers review and appeal processes, inspection and seizure powers, offences, take-down notices for objectionable online publications, and a separate regime for specified commercial video on-demand providers.

For a business owner, the practical question is usually simple. Before you supply, exhibit, display, advertise, host or stream content, do you need to check its classification status, labelling status, age restriction, display conditions or online compliance position?

Practical sense check

  • Map every way your business makes content available to the public
  • Separate film compliance from other publication compliance
  • Check whether any content is already classified or labelled
  • Identify any age restrictions or display conditions
  • Review whether your online service falls into a specific regulated category under the Act

Who is in scope

The Act is broad, but it does not affect every business in the same way. It clearly matters to businesses that supply films, publicly exhibit films, sell or display publications, import stock, host online content, or operate a listed on-demand service.

The interpretation section shows that a publication can include more than films. It also defines a book to include a book, magazine or periodical, but not a newspaper published at intervals of less than 1 month.

Commercial video on-demand content is also specifically addressed. The Act says this means video on-demand content made available to people in New Zealand for a fee or other consideration, subject to an exclusion for certain broadcaster subscription platforms where the content has been classified under a broadcasting code.

Key points

  • Cinemas and venues screening films to the public
  • Retailers selling or hiring films
  • Bookshops and magazine sellers
  • Importers and distributors of publications
  • Businesses displaying restricted publications or related posters
  • Online content hosts that may receive take-down notices
  • Specified CVoD providers listed in Schedule 4

Not every business will have the same exposure. A business with only incidental contact with content may face lower risk than a specialist retailer, importer, adult-content business, online host or listed on-demand provider. The key is to match your compliance process to your actual content activity.

Trigger points that commonly catch businesses

Most problems under this Act start with an ordinary business step. You add a title to your catalogue, import stock, put a poster in a shop window, screen a film at an event, or allow users to upload content. If the item is restricted, objectionable, unlabelled or otherwise regulated, that routine step can become a compliance issue.

The Act is especially important when your business is making content available to the public in New Zealand, or when you receive a formal notice, complaint, inspection visit or classification-related request.

Practical sense check

  • Starting to sell or hire films to the public
  • Publicly exhibiting a film at a cinema, venue or event
  • Displaying a restricted publication in-store
  • Using advertising posters or film posters for restricted material
  • Hosting online content that could be objectionable
  • Operating as a specified CVoD provider listed in Schedule 4
  • Receiving a take-down notice, inspection visit or classification-related complaint

Film labelling and classification checks

Part 2 deals with labelling of films. The Act includes rules that films are to be labelled, along with provisions for trade screenings, exemptions, applications for labels, issue of labels, the rating and description applicable to copies, and a film database maintained by the Classification Office.

For businesses supplying or exhibiting films, the first practical check is whether the film must be labelled before public supply or exhibition. The next check is whether an exemption applies. After that, you need to make sure the correct rating and description are used on copies and related public-facing material where required.

The Act also contains provisions about excisions and alterations to films, and when a classification applies only if those changes are actually made. That matters if you rely on an edited version of content.

Sense check

  • Confirm whether the film needs a label before public supply or exhibition
  • Check whether a trade screening or exemption rule applies
  • Use the correct rating and description on copies
  • Check the film database or classification records where relevant
  • Do not assume an edited version carries the same compliance position unless the Act allows it

Restricted publications, display conditions and posters

Part 3 deals with classification of publications more broadly. It includes examination and classification, conditions relating to display of restricted publications, further provisions about those display conditions, issue of labels for restricted publications other than films, and notice and register provisions for classification decisions.

For retailers and venues, this means the compliance question is not only whether an item can be sold. You also need to ask whether it is restricted, whether age limits apply, and whether there are conditions on how it may be publicly displayed.

The Act also specifically addresses film posters and advertising posters. If your business promotes restricted material, your poster and display practices need the same attention as the item being sold or shown.

Key points

  • Check whether a publication is classified as restricted
  • Review any conditions imposed on public display
  • Make sure staff understand that display rules are legal conditions, not optional merchandising choices
  • Check advertising posters and film posters before public use
  • Keep a record of the classification decision or supplier confirmation you relied on

Online content hosts and take-down notices

The Act does not regulate every online service in the same way. Its clearest online host regime is in Part 7A, which deals with take-down notices for objectionable online publications.

Part 7A includes definitions, application provisions, issue of take-down notices, required contents of notices, a rule that an online content host must comply with a take-down notice, enforcement, remedies and costs, review, and reporting.

If your business hosts online content, you should have a process for identifying legal notices, escalating them quickly, preserving records, and making sure the right staff can act. This is different from ordinary platform moderation. It is a statutory process.

Practical sense check

  • Set up a clear intake point for legal notices
  • Train staff to recognise a take-down notice under the Act
  • Escalate notices immediately to a responsible manager or legal adviser
  • Keep records of the notice, the content and the action taken
  • Review your moderation and hosting terms so they support compliance action

Specified commercial video on-demand providers

Part 3A creates a separate regime for specified commercial video on-demand providers. It has an extraterritorial application provision, which means the regime can apply to specified providers even if they are based outside New Zealand.

The core duty in Part 3A is the duty to label commercial video on-demand content. The Act distinguishes between content previously labelled or classified and content not previously labelled or classified. It also sets rules for how ratings and descriptions must be determined.

The Act allows approved self-rating systems. It also requires the Chief Censor to annually review approved self-rating systems and gives powers to suspend or cancel approvals. Part 3A also includes a complaints process within that regime.

Schedule 4 lists the specified providers in the current version of the Act. Because the schedule can be amended by Order in Council, businesses should check the current schedule before acting.

Key points

  • Check whether your service is actually listed in Schedule 4
  • Label commercial video on-demand content as required
  • Use an approved self-rating system if you rely on self-rating
  • Monitor whether approval remains in force
  • Review how ratings and descriptions are determined for previously unlabelled content

Inspectors, entry powers and seizure risk

The Act gives Inspectors of Publications real operational powers, but they are not unlimited. Section 106 allows an inspector to enter premises that are not private residences where films are offered for public supply, publications are publicly displayed, or film is exhibited to the public, or where the inspector has reason to believe film is being exhibited to the public.

That entry power is for a specific purpose. It is to ensure compliance with the Act and regulations relating to the labelling of films, and with any conditions imposed under section 27 relating to display of restricted publications.

Inspectors cannot use section 106 to enter a private residence. They also cannot enter when the premises are not open to the public unless accompanied by, or with the knowledge of, the owner or occupier or that person’s representative, agent or employee.

On entry, an inspector must produce their warrant, or if a constable, evidence that they are a constable, when required. Inspectors may require production of documents relating to labelling or classification, take copies or extracts, and demand information reasonably required for the inspection.

A person does not have to answer a question if the answer would or could tend to incriminate them, and must be informed of that right before information is demanded under section 106.

Risk controls

  • Nominate a manager to deal with inspectors
  • Keep labels, classification records and supplier documents organised
  • Train front-line staff on who to contact if an inspector attends
  • Check the inspector’s authority if requested
  • Record what documents were requested and provided
  • Get legal help quickly if stock, posters or publications are seized

The Act also allows seizure in specific situations. Section 107 allows seizure of certain unlabelled or non-compliant films being offered for public supply or exhibited, and certain restricted publications or related posters being publicly displayed in a way that appears to breach the Act. Section 108 separately allows seizure of publications believed on reasonable grounds to be objectionable, subject to the statutory limits in that section.

Offences and system controls

Part 8 contains a wide range of offences. These include offences relating to labelling, objectionable publications, restricted publications, exhibition to persons under 18, public place conduct, breach of display conditions, possession of objectionable publications, and livestreaming objectionable content or sharing objectionable livestreamed content.

For most businesses, the practical risk is not only deliberate misconduct. It is weak systems. A retailer may stock a title without checking its status. A venue may admit underage patrons. A website may fail to act on a formal notice. A marketing team may use posters without checking display rules.

The safest approach is to build classification and restriction checks into your normal workflow rather than treating them as a one-off legal issue.

Key points

  • Do not add new titles to sale or catalogue until checks are complete
  • Use age-gating or admission controls where restrictions may apply
  • Require approval for posters and public display material
  • Set moderation and escalation rules for hosted content
  • Review supplier contracts so responsibility for labels and classification is clear
  • Audit a sample of stock, listings and displays regularly

Records, levy payments and status checks

Good records make this Act easier to manage. If your business is inspected or challenged, you should be able to show what classification or labelling checks were done, what restrictions applied, and what documents you relied on.

Part 9 also creates an annual levy for specified CVoD providers. A specified provider listed in Schedule 4 must pay an annual levy for each financial year, or part year, during which it is listed. The Act also says a dispute does not suspend the obligation to pay the levy, and approval may be suspended until the debt is paid.

The Act was assented to on 26 August 1993. Some provisions came into force the day after assent, and the rest came into force on dates appointed by Order in Council. The note to section 1 states that the rest of the Act was brought into force on 1 October 1994 by the commencement order.

Because the Act has been amended many times, and because Schedule 4 can be amended by Order in Council, businesses should always check the current version before relying on an older internal policy or supplier statement.

Sense check

  • Keep copies of labels, classification decisions and supplier confirmations
  • Store records of age-restriction and display decisions
  • If you are a specified CVoD provider, diarise levy payment dates
  • Check whether your self-rating approval remains current
  • Review the latest version of the Act and Schedule 4 before major content launches

Documents and conduct to check

Businesses usually get into trouble under this Act because the legal rule is not built into day-to-day operations. A good compliance process should connect your stock intake, catalogue setup, marketing approval, age controls, staff training and incident response.

If you deal with films, publications or hosted content, your records should show what you checked, when you checked it, and who approved release or display. That matters if a customer complains, an inspector attends, or a take-down notice arrives.

Sense check

  • Supplier confirmations about labels or classification status
  • Copies of labels, ratings and descriptions used on content or packaging
  • Internal approval records for restricted stock or public screenings
  • Store or venue instructions for age checks and display controls
  • Poster and advertising approvals for restricted material
  • Notice-handling procedures for online content hosts
  • Schedule 4 and self-rating approval checks for listed CVoD providers

Common questions

What kinds of businesses should check this Act?

Any business that supplies, exhibits, displays, advertises, hosts or streams publications in New Zealand should check it. Common examples are cinemas, film retailers, bookshops, distributors, online content hosts and specified commercial video on-demand providers.

Does this Act only apply to films?

No. It covers films and a wider range of publications. The interpretation section includes books, magazines and periodicals, while excluding newspapers published at intervals of less than 1 month from the definition of book.

What is the first compliance check for film suppliers or exhibitors?

Usually it is whether the film must be labelled before public supply or exhibition, and whether any exemption applies. You should also check that the correct rating and description are used.

Does the Act deal with online content?

Yes, but in specific ways. Part 7A creates a take-down notice regime for objectionable online publications and applies to online content hosts. Part 3A creates labelling rules for specified commercial video on-demand providers listed in Schedule 4.

Can inspectors enter any premises?

No. Section 106 allows entry to premises that are not private residences, and only for specific compliance purposes linked to film labelling and conditions on display of restricted publications.

Who counts as a specified CVoD provider?

The Act uses Schedule 4 to list specified providers. In the current version, the schedule includes Alphabet, Amazon, Apple, Microsoft, Netflix, Sky Network Television Limited, Sony and The Walt Disney Company.

Do specified CVoD providers have to pay a levy?

Yes. Part 9 says a specified CVoD provider must pay an annual levy for each financial year, or part year, during which it is listed in Schedule 4.

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