Release Forms for Filming in New Zealand: Business Requirements

Alex Solo
byAlex Solo11 min read

If you’re creating video content for your business (think ads, social media clips, website testimonials, training videos, or behind-the-scenes footage), it’s easy to get caught up in the creative side and forget the legal foundations.

But if your footage includes people, private property, artwork, or identifiable locations, it’s often a good idea to have a release form for filming in New Zealand in place. That way, you can more confidently use, edit, and publish the footage without worrying about someone later saying “hang on - I didn’t agree to that”.

This guide is general information only (not legal advice). We’ll walk you through what filming release forms are, when you should consider them, what to include, and the common traps NZ businesses fall into when they rely on vague verbal consent (or nothing at all).

What Is A Release Form For Filming In New Zealand (And Why Does It Matter)?

A release form is a written agreement where a person (or sometimes a property owner) gives you permission to record them (or their property) and then use that recording for certain purposes.

For businesses, the “use” part is usually the most important. It’s one thing to get someone comfortable being filmed in the moment; it’s another thing to have clear written permission to:

  • edit the footage (including cutting, overlaying text, or combining it with other content)
  • publish it publicly (website, social media, YouTube, paid ads, TV, etc.)
  • use it for marketing and promotion
  • store it for future reuse (including campaigns months or years later)
  • give it to third parties to publish (like media outlets, marketing agencies, sponsors, or platform partners)

Without the right paperwork, you risk disputes about what was agreed, privacy complaints, reputational issues, and wasted spend (for example, if you have to pull a campaign after you’ve already paid for editing and ad placements).

It can also tie into your broader privacy obligations. If your filming involves collecting and using personal information (including images and voice recordings), you’ll often need to think about your Privacy Policy and whether you’re being clear about collection, use, storage, and sharing.

When Do NZ Businesses Actually Need A Filming Release Form?

Not every clip requires a full paperwork process. In many cases (especially if people aren’t identifiable, or filming is in a genuinely public context), a formal release may not be strictly required - but it’s still often recommended where there’s a real chance someone could later object to being identified or to how their image is used.

Here are common situations where having a release form for filming in New Zealand is strongly recommended (and may be essential depending on the context and intended use):

1. You’re Filming People Who Can Be Identified

If someone’s face is clearly visible, their voice is captured, or they’re otherwise identifiable (name tag, uniform, distinctive tattoo, etc.), it’s usually sensible to get a release form - particularly if you plan to use the footage in marketing or paid advertising.

This includes:

  • customers in testimonials
  • members of the public at events
  • participants in workshops or classes
  • models in product shoots
  • collaborators and influencers

2. You’re Filming Staff For Marketing Or Social Content

Employees are a common “grey area” for business owners. You might assume consent is implied because they work for you - but filming staff for promotional content is different from filming staff for operational reasons.

You’ll also want to manage expectations about when content is recorded, how it’s used, and what happens if the employee leaves. Depending on the situation, it can be helpful to tie this into your internal policies and contracts (including an Employment Contract and workplace policy framework), so everyone’s on the same page from day one.

3. You’re Filming On Someone Else’s Property

If you’re filming at a location you don’t own (for example, a café, venue, retail store, gym, warehouse, or private home), you should get location permission. This is often done via a location release form, or a clause in your booking agreement with the venue.

If the filming is linked to a broader commercial arrangement (like hiring the venue for an event), it may be worth having a properly drafted Venue Hire Agreement so the filming rights and restrictions are clear.

4. You’re Filming Minors

If anyone under 18 is identifiable, you should be extremely careful. As a general rule, you’ll want consent from a parent or legal guardian.

Even where you think you have “permission”, a casual message like “sure that’s fine” is rarely enough protection for a business using footage in marketing. This is a high-risk area where tailored legal advice is worth it.

5. You’re Capturing Personal Information Or Sensitive Context

A video can contain more than an image. It might capture:

  • health information (e.g. filming in a clinic or wellness setting)
  • financial information (e.g. screens, invoices, whiteboards)
  • customer orders, addresses, or phone numbers
  • private conversations

That’s where filming overlaps with privacy compliance under the Privacy Act 2020 - and why your forms and filming practices should match how you collect and handle information more generally.

What Should A Release Form For Filming Include?

A good release form isn’t just “I consent to being filmed.” For a business, it should clearly cover what you’re doing with the footage and reduce ambiguity later.

While every business is different, here are clauses we commonly look for when creating a release form for filming in New Zealand.

1. Who The Parties Are

Be clear about:

  • the legal entity filming (your company name, NZBN if applicable)
  • the individual giving consent (full name and contact details)
  • if relevant, a parent/guardian signing for a minor

If you operate through a company, make sure the correct entity is listed. This ties into your broader “get the foundations right” work - like having a proper setup and governance documents such as a Company Constitution (where relevant).

2. What Is Being Recorded

Spell out what the person is agreeing to, such as:

  • video recording
  • photography
  • audio recording (voice)
  • their name, likeness, performance, or statements

This matters because sometimes a person is comfortable with photography but not audio, or they assumed it was only for internal use.

3. How The Footage Will Be Used

This is the heart of the release form. For example, the release might allow use for:

  • marketing and promotional content
  • paid advertising
  • website and email marketing
  • social media and online channels
  • press and media distribution
  • internal training materials

You’ll also want to cover whether the content can be edited, cropped, or combined with other content.

4. Where It Can Be Used (Territory) And For How Long (Term)

Many businesses want broad rights, for example:

  • Territory: worldwide (because online content is global)
  • Term: perpetual/ongoing (so you can keep using a great clip)

That said, “forever, anywhere, for anything” isn’t always appropriate. Sometimes you might want to limit:

  • use to a particular campaign
  • use for a set period (e.g. 12–24 months)
  • use to a specific platform (e.g. website and Instagram only)

A tailored approach can reduce reputational risk while still giving you strong rights to use your content.

5. Payment Or Benefit (If Any)

If the person is being paid (or receiving free products/services in exchange for appearing), your release form should reflect that arrangement. This helps avoid arguments later that they expected ongoing payment each time you reuse the footage.

It can also be relevant to advertising compliance. If you’re working with endorsements or collaborations, you’ll want your broader agreement to deal with deliverables, approvals, and content ownership - often via an influencer or marketing-style contract rather than a simple release.

6. Ownership And Intellectual Property

Your release form should deal with rights to use the footage once it’s created (for example, by confirming you own the footage created by you, or that you have a broad licence to use it for the purposes set out in the form).

This is a common misunderstanding: the person appearing in the footage may feel a sense of ownership over “their” video, but your business will usually want the legal right to use the footage without needing to get re-approval every time.

If multiple parties are involved in producing the content (videographer, editor, agency), it’s also important your broader production contracts clearly allocate copyright and usage rights (for example, an assignment of IP or a licence), so you can actually use what you paid for.

7. Privacy And Data Handling (Where Relevant)

Because images and videos can be personal information, it’s smart to include a short privacy clause covering:

  • what personal information you’re collecting
  • how you’ll store and protect it
  • who you might share it with (e.g. editors, agencies, platforms)

This should line up with your Privacy Policy and your actual business practices (for example, where files are stored, who can access them, and how long they’re retained).

This is where businesses can get caught off guard.

Someone might be comfortable on the day and then later ask you to take the video down - perhaps due to a new job, personal circumstances, or simply regret.

A well-drafted release form should address whether consent can be withdrawn, and if so:

  • whether it applies only to future use (not content already published, where appropriate)
  • how withdrawal requests must be made
  • timeframes for you to respond
  • limits where content is already in circulation (e.g. printed materials, third-party reposts)

You can’t always control what happens once something is shared online, but you can set expectations and reduce disputes.

What Laws Do NZ Businesses Need To Think About When Filming?

A release form is one piece of the puzzle. Depending on the shoot, you may also need to consider privacy, consumer law, and workplace obligations.

The Privacy Act 2020

If you’re collecting personal information (including video footage where people are identifiable), you’ll want to ensure your practices line up with the Privacy Act 2020.

In practical terms, that means thinking about:

  • being transparent about what you’re collecting and why
  • only collecting what you actually need
  • storing footage securely (especially if it includes customers or vulnerable people)
  • only sharing footage with people who genuinely need access (like editors)

This is also why it’s worth having your legal docs aligned - for many businesses, that includes a clear Privacy Policy and internal processes for how content and customer data are managed.

The Fair Trading Act 1986

If you’re using filmed content for marketing, you need to make sure it’s not misleading. Under the Fair Trading Act 1986, advertising must not create a false impression.

This comes up with:

  • before-and-after footage (results must be realistic and not deceptive)
  • testimonials (they should be genuine and not edited in a way that changes meaning)
  • representations about pricing, availability, or performance

Even with a signed release form, you still need to use the content in a way that’s lawful and fair.

A release form won’t fix copyright issues in your video. If your footage includes:

  • music playing in the background
  • artwork on walls
  • logos and brand signage
  • screen recordings or software dashboards

you may need additional permissions or licences.

This is especially important if you’re filming in a location with branded décor or playing commercial music - it’s easy to overlook, and it can cause problems when you upload content to online platforms.

Workplace Monitoring And Staff Privacy

If you’re filming in the workplace, be mindful that staff may feel like they’re being monitored. Even if the aim is marketing content, the reality is the footage can capture performance, behaviour, and conversations.

Having clear internal expectations through policies (and making sure staff understand what’s going on) can help avoid misunderstandings - particularly if you regularly create content in-store or on-site.

Common Mistakes Businesses Make With Filming Release Forms

Most disputes we see don’t come from “bad people” - they come from unclear expectations.

Here are common mistakes NZ businesses make when they don’t treat filming permissions as a proper legal step.

“Do you mind if we film this?” is a good start, but it’s rarely enough if you’re going to use the footage for ongoing marketing.

People may agree in the moment without fully thinking through where the content might end up (paid ads, boosted posts, reposted content, used years later, etc.). A written release form avoids arguments later.

Using A One-Size-Fits-All Template

Templates can miss the exact rights your business needs (like broad marketing usage, third-party sharing, editing rights, or a clear term/territory).

They can also be too aggressive - which increases the risk someone refuses to sign, or signs without understanding (and then complains later).

The goal is a release form that protects your business and is fair and clear for the person signing it.

Not Getting Location Permission

Even if you have consent from the people on camera, the property owner might object to filming on-site - especially if your content suggests an endorsement or reveals sensitive details (layout, security, operations).

This is where a proper agreement with the location matters, whether that’s a simple location release or a more detailed contract (for example, via a Venue Hire Agreement).

Forgetting About Who Actually Owns The Footage

If you hire a videographer or agency, you should make sure the contract clearly deals with copyright ownership or grants you the usage rights you need (for example, a broad licence to use, edit and repurpose the deliverables). Otherwise, you might pay for a shoot and then discover you can’t legally reuse the footage across campaigns.

That’s why it’s worth having properly drafted production terms or a broader Service Agreement in place with your creative suppliers.

Not Planning For “What If They Leave?”

This is especially relevant for staff and longer-term collaborations.

Imagine your barista becomes the face of your café’s TikTok content, then leaves and asks you to remove every video. If you don’t have a clear, signed release addressing ongoing use, you may feel pressured to take content down (even when it’s already performed well and drives sales).

This is where good onboarding and documentation can save you a lot of stress later.

Key Takeaways

  • A release form for filming in New Zealand can help your business get clear written permission to use, edit, publish, and reuse footage that includes identifiable people or private locations.
  • You’ll usually want a release form when filming customers, staff (especially for marketing content), or anyone under 18 (with parent/guardian consent), and it’s often worth considering for public-facing events where attendees may be identifiable.
  • A strong filming release form should cover who is consenting, what is being recorded, how it will be used, term/territory, editing rights, payment (if any), IP/usage rights, privacy handling, and what happens if consent is withdrawn.
  • Release forms don’t replace broader legal compliance - you still need to consider the Privacy Act 2020, the Fair Trading Act 1986, and copyright issues (like music, logos, or third-party content in the background).
  • Common mistakes include relying on verbal consent, using generic templates, forgetting location permissions, and not clarifying copyright/usage rights in your supplier contracts.
  • If you regularly create content, it’s worth aligning your release forms with your wider legal setup (for example, your Privacy Policy and contracts with suppliers via a Service Agreement).

If you’d like help drafting a release form for filming in New Zealand (or tightening up your filming permissions and content contracts), you can reach us at 0800 002 184 or team@sprintlaw.co.nz for a free, no-obligations chat.

Alex Solo

Alex is Sprintlaw's co-founder and principal lawyer. Alex previously worked at a top-tier firm as a lawyer specialising in technology and media contracts, and founded a digital agency which he sold in 2015.

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